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Cinematic posters, brand identity, campaigns and UI/UX, forged by hand since 2019. One tribute poster aired on Indian television. One watch study took first of 200.
Ten of fifty-plus posters, 2022 to 2026. Select any poster to see it full size.
More work waits in the FoundryI design as if every frame could be paused. As if every screen could be screenshotted. As if every poster might one day hang on a wall, or run across a television in a country I have never visited. And one did.
Since the first Photoshop tutorial in 2019.
Designs shipped across posters, brands and screens.
Place out of 200 entries, Best Watch Design 2022.
Tribute poster aired on Thanthi TV, India, 2022.
Two moments where the work left the studio and was judged by strangers.
The artwork
My tribute portrait for actor Vijay's thirtieth anniversary was picked up and broadcast by Thanthi TV in its anniversary coverage. Above is the broadcast clip.
See the piece →
The winning piece
A Rolex Day-Date 40 study built around the President bracelet, ranked first of 200 entries at the Academy of Graphics. Above is the build process.
See the design →03/ Selected work
Posters, brands and product screens from 2022 to 2026. Each one opens into the full process.
A teardown of a live Sri Lankan e-commerce brand. Five usability and trust failures found across the customer journey, then the mobile flow rebuilt from registration to checkout, with a strategy report and a published Figma prototype.
Two portraits of the actor, gold-framed legacy above and present-day everyman seated below, surrounded by thirty years of artefacts. Awards on the floor, the debut-film magazine on the wall.
A fictional luxury fashion store built for a web development assignment: a dark purple and gold visual system and a complete frontend across home, category, product, cart, account, search and about pages.
Started with twenty-seven characters and a single-tone palette, then threw it out. Rebuilt with a controlled cast, a dual-Doom hierarchy and a green, purple and warm palette that finally read as Doomsday.
A competition entry from my graphic design certificate course, built around the President bracelet and the Day-Date's 1956 heritage, shown with the full colour and gradient palette work.
It began as Master Creations in 2019, the name a self-taught teenager picks, and became FORGE Studio in 2025 as the work matured.
A lightning stroke carrying a hidden F, built on a diagonal construction grid. Three colours, one typeface, and gradients that live only inside the symbol.
I'm Thinura Anjana, Marketing Executive at Jeewa Education and the designer behind FORGE Studio. I started designing the year I finished my O/Ls and took on my first client work in 2020.
Seven years on, my work has aired on Indian television, placed first out of two hundred entries, and grown into FORGE Studio: a practice where cinematic design meets campaigns and digital product thinking.
Alongside work, I'm reading for a BBA (Hons) specialising in Management Information Systems at SLIIT, and I design event campaigns as Co-Editor of the SLIIT Business School Student Community.
Right after O/L exams. YouTube, Photoshop and persistence.
Freelance posters, photo composition and visual branding.
Academy of Graphics.
Rolex Day-Date 40 study, ranked first of 200 entries.
Tribute portrait featured in the actor's anniversary coverage.
BBA (Hons), specialising in Management Information Systems.
A new identity for a more mature practice.
Campaigns for Down the Wicket and Enchante. ADMELIORA'26 and Lantharuma 2027 in progress.
Digital campaign materials and website content, since August.
